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directed by Benny Sato Ambush
featuring Johnny Lee Davenport
Featuring Johnny Lee Davenport (The Whipping Man) as Justice Thurgood Marshall, the first African-American to sit on the Supreme Court, Thurgood spans Marshall’s impressive career as a lawyer, arguing such landmark cases as Brown v. Board of Education. Presented during the final month of the Obama Administration, Thurgood is a tribute to Marshall’s enduring legacy.
Regular Singing / Good / Fiddler on the Roof / Thurgood
Brecht on Brecht / Golda’s Balcony / The Gift Horse
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JOHNNY LEE DAVENPORT* performed at New Repertory Theatre in Oleanna, Thurgood, The Whipping Man, and A House with No Walls. Other area credits include The Unbleached American (Stoneham Theatre); It’s A Wonderful Life, A Radio Play (Wheelock Family Theatre); Water by the Spoonful and Broke-ology/Elliot Norton Award, Best Actor (The Lyric Stage Company); Driving Miss Daisy and Master Harold…and the Boys (Gloucester Stage Company); and Invisible Man/Helen Hayes Award, Best Ensemble (Studio Theatre Washington, D.C. and The Huntington Theatre Company). Mr. Davenport has played more than 50 roles in 24 of Shakespeare’s plays including Richard III (Commonwealth Shakespeare Company); Pericles (Actors’ Shakespeare Project); and Richard II (Shakespeare & Company). Film credits include Ted, The Fugitive, U.S. Marshals, and Ascendants. He was named Best Actor in Boston Magazine (2011). johnnyleedavenport.com
Our hearts are with one of New Rep’s most beloved and talented actors, Johnny Lee Davenport, and his family on the event of his death on February 2, 2020. A master of his craft, ardent advocate for theatre, and a truly fantastic person, he will be sorely missed. Our deepest condolences to his family and friends during this difficult time. Thank you to Johnny Lee Davenport for all that he dedicated to our organization.
BECCA FREIFELD* returns to New Repertory Theatre after serving as Performance Stage Manager on Thurgood, Assistant Stage Manager on Fiddler on the Roof and Good, and Production Assistant on Freud’s Last Session, The Testament of Mary, The Snow Queen, A Number, Broken Glass, Scenes From an Adultery, The King of Second Avenue, and Closer Than Ever. Other area stage management credits include Barbecue (Lyric Stage Company); Shoes On, Shoes Off (Brandeis Department of Theater Arts); Romeo & Juliet and Evil Dead: the Musical (Arts After Hours); Hamlet (Wax Wings Productions); Bully Dance (Argos Productions); and Hamlet (Bay Colony Shakespeare Company). Upcoming: Assistant Stage Manager on New Repertory Theatre’s production of Man of La Mancha. Ms. Freifeld is a graduate of Brandeis University, and currently resides in Newtonville.
RYAN BATES (Scenic Designer) has designed Ideation, Brecht on Brecht, Thurgood, The Testament of Mary, Via Dolorosa, and The Snow Queen at New Rep. Other recent scenic design credits include Los Meadows (Boston Public Works); Dear Elizabeth and Melancholy Play (The Umbrella); Blasted (Off the Grid Theatre Company); The Last Five Years (Arts After Hours); The Launch Prize (Bridge Repertory Theatre); That Time the House Burned Down (Fresh Ink); Academy Fight Song (Centastage); A Visit with Marie Curie (Parity Productions); Angels in America (Boston University Opera Institute); and 4000 Miles and Jacques Brel is Alive and Well and Living in Paris (Gloucester Stage Company). Ryan received his MFA in Scenic Design from Boston University and a BA in Theatre and Art History from Middlebury College. Originally from Danvers, he currently resides in Brighton. Upcoming projects include Or (Maiden Phoenix and Simple Machine) at Chelsea Theatre Works.
DEWEY DELLAY returns to New Repertory Theatre after composing and designing for Ideation, The Gift Horse, Thurgood, The Testament of Mary, The Whipping Man, Rancho Mirage, and Long Day’s Journey into Night. Other credits include Duet (Greenwich Street Theatre, Off Broadway); and The Countess (Criterion, London’s West End). Other regional credits include Who’s Afraid of Virginia Woolf (Lyric Stage Company); Photograph 51 (IRNE nomination Best Sound Design, Nora Theatre Company); and When January Feels Like Summer (Underground Railway Theater). He has received an Elliot Norton award for Outstanding Design and an IRNE for Best Sound Design. Television credits include original music for Emmy nominated National Geographic’s China’s Mystery Mummies, Discovery Channel’s Miami Jail, and five seasons of the show Our America with Lisa Ling for the OWN Channel. He presently is contributing music to This is Life with Lisa Ling on CNN.