directed by Jim Petosa
This powerful, Olivier Award-winning, and Tony-nominated drama is presented as part of a national celebration of the centennial of the birth of playwright Arthur Miller. It is November 11, 1938, the day after Kristallnacht, when Sylvia Gellburg loses the ability to walk. Her husband Phillip desperately seeks to find the cause. After consulting Dr. Harry Hyman, it’s determined that her paralysis may have been psychosomatically induced. Hyman’s obsession with curing Sylvia uncovers a complex tangle of egos, resentment, and guilt, as well as Phillip’s own paralyzing struggle with his Jewish identity.
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BENJAMIN EVETT returns to New Repertory Theatre after performing in Good, Broken Glass, Assassins, On the Verge, Camelot (2014 IRNE Award, Best Actor in a Musical), Amadeus, Cherry Docs, Opus, Indulgences, A Christmas Carol, Quills, A Girl’s War, and Jerusalem, and directing RENT. He recently won the Elliot Norton Award for Outstanding Solo Performance 2015 for Albatross with The Poets’ Theatre, where he is also Executive Director. He has appeared in Freud’s Last Session and God of Carnage (co-produced with Arizona Theatre Company and San Jose Rep). He was a member of the ART Resident Acting Company from 1993 to 2003, performing in over 50 productions including Waiting for Godot, The Bacchae, Phedre, and Six Characters in Search of an Author. He has performed at Missouri Rep, Virginia Stage Company, Alley Theatre, Taiwan National Theatre, and Moscow Art Theatre. He is Founding Artistic Director of Actors’ Shakespeare Project, where he played Coriolanus, Hamlet, Petruchio, Edmund, and Caliban.
CHRISTINE HAMEL* has appeared at New Rep in Ideation, Brecht on Brecht, Broken Glass, On the Verge, Ragtime, and Sweeney Todd, directing God Box, and dialect/voice coaching many productions, including Golda’s Balcony, Tongue of a Bird, Camelot, The Elephant Man, Amadeus, Holiday Memories, and The Kite Runner. Recent area credits include The Women Who Mapped the Stars (workshop, Poets’ Theatre); Tongue Tied Tight, and Delivered (workshop, Huntington Theatre Company); A Disappearing Number (Underground Railway Theater); The Penelopiad (Boston University School of Theatre); Season’s Greetings and Our Town (Wellesley Repertory Theatre); and The Glass Menagerie (Boston Center for American Performance). Regionally, she performed the role of Emma Darwin in Trumpery (Olney Theatre Center). Ms. Hamel is an Assistant Professor of Voice/Speech and Acting at Boston University. She is a Designated Linklater Voice teacher, and holds a Teaching Certificate in the Michael Chekhov acting technique. She currently resides in Arlington.
MICHAEL KAYE* returns to New Repertory Theatre after performing in Good, Broken Glass, The Elephant Man, Amadeus, Opus, House With No Walls, and Silence. He also appeared in Good this past summer Off-Broadway (PTP/NYC). Other area credits include Mothers and Sons and Clybourne Park (SpeakEasy Stage Company); Uncle Jack, Monster, The Glass Menagerie, and Good (Boston Center for American Performance); A Midsummer Night’s Dream (Actors’ Shakespeare Project); Book of Days (Lyric Stage Company); and various productions at Huntington Theatre Company and Boston Playwrights’ Theatre. Mr. Kaye serves as Assistant Professor of Acting at Boston University School of Theatre, where he earned both his BFA and MFA in Acting and Theatre Education respectively. Born in Chicago, he now lives in Sandwich, NH.
JEREMIAH KISSEL* returns to New Repertory Theatre after performing in Fiddler on the Roof, Broken Glass, The King of Second Avenue, Imagining Madoff, Rosencrantz & Guildenstern Are Dead, Twelfth Night, and Hard Times. Last season in Boston he also appeared in King Lear, Ulysses on Bottles, and Exposed. Screen credits include The Town, The Fighter, The Great Debaters, Stronger, and Joy. He is the recipient of two Elliot Norton Awards (1990, 2014), two IRNEs, and the Elliot Norton Prize for Sustained Excellence (2003).
JIM PETOSA (Director, Artistic Director) joined New Repertory Theatre as an award-winning theatre artist, educator, and leader in 2012. He has served as Director of the School of Theatre, College of Fine Arts, at Boston University since 2002, and Artistic Director of Maryland’s Olney Theatre Center for the Arts and its National Players educational touring company (1994-2012). While at Boston University, he established the Boston Center for American Performance (BCAP), the professional production extension of the Boston University School of Theatre, in 2008. Throughout the Northeast, Mr. Petosa has directed for numerous institutions, including The Gift Horse, Brecht on Brecht, Good, Freud’s Last Session, The Testament of Mary, Broken Glass, Assassins, On the Verge, The Elephant Man (IRNE Nomination), Amadeus, Three Viewings, The Last Five Years, and Opus at New Rep. In Boston, his work was nominated for two IRNE awards for A Question of Mercy (BCAP). He has served as one of three artistic leaders for the Potomac Theatre Project (PTP/NYC) since 1987. In Maryland, his work earned over 25 Helen Hayes Award nominations as well as the award for outstanding direction of a musical for Jacques Brel is Alive and Well… His production of Look! We Have Come Through! was nominated for the Charles MacArthur Award for outstanding new play, and he earned the Montgomery County Executive’s Excellence in the Arts and Humanities Award for Outstanding Artist/Scholar. A member of Actors’ Equity Association, Mr. Petosa has served on the executive board of the Stage Directors and Choreographers Society, and currently serves on the Board of Directors for StageSource. Originally from New Jersey, he was educated at The Catholic University of America and resides in Quincy.