At the end of World War II, artist Han van Meegeren sits in a prison cell accused of selling a long-lost Vermeer to the Nazis. A crime tantamount to treason, van Meegeren contends that the painting was a forgery, which he skillfully produced and aged with a special treatment of the plastic known as Bakelite. Now he must create another masterpiece in front of his jailer, art historian Geert Piller, to save his life. The Bakelite Masterpiece is a dynamic and compelling Boston-area premiere from playwright Kate Cayley.
STATEMENTS OF SURVIVAL SERIES
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MCCAELA DONOVAN* returns to New Repertory Theatre after performing in Assassins, Amadeus, and Hot Mikado. She has performed locally with ArtsEmerson, Huntington Theatre Company, American Repertory Theater, Gloucester Stage Company, Commonwealth Shakespeare Company, Actors’ Shakespeare Project, Lyric Stage Company, SpeakEasy Stage Company, Company One, Stoneham Theatre, Berkshire Theatre Festival, and Reagle Music Theatre. She has performed nationally with Primary Stages, New York Musical Theatre Festival, and Children’s Theatre of Sioux Falls. She received a BFA in Musical Theatre from Ithaca College, an MA in Theatre Education from Emerson College, and an MFA in Acting from Brandeis University. She has worked or taught with Alvin Ailey American Dance Theatre, Boston Conservatory, Emerson College, Dean College, Emmanuel College, and Walnut Hill School for the Performing Arts. Ms. Donovan currently serves as Assistant Director of the Boston University College of Fine Arts School of Theatre.
Han van Meegeren
Han van Meegeren
BENJAMIN EVETT* returns to New Repertory Theatre after performing in Good, Broken Glass, Assassins, On the Verge, Camelot (2014 IRNE Award, Best Actor in a Musical), Amadeus, Cherry Docs, Opus, Indulgences, A Christmas Carol, Quills, A Girl’s War, and Jerusalem, and directing RENT. He recently won the Elliot Norton Award for Outstanding Solo Performance 2015 for Albatross with The Poets’ Theatre, where he is also Executive Director. He has appeared in Freud’s Last Session and God of Carnage (co-produced with Arizona Theatre Company and San Jose Rep). He was a member of the ART Resident Acting Company from 1993 to 2003, performing in over 50 productions including Waiting for Godot, The Bacchae, Phedre, and Six Characters in Search of an Author. He has performed at Missouri Rep, Virginia Stage Company, Alley Theatre, Taiwan National Theatre, and Moscow Art Theatre. He is Founding Artistic Director of Actors’ Shakespeare Project, where he played Coriolanus, Hamlet, Petruchio, Edmund, and Caliban.
Kate Cayley is a fiction writer, playwright, and poet. She has written a short story collection, How You Were Born (Pedlar Press), which won the 2015 Trillium Book Award, a collection of poetry, When This World Comes to an End (Brick Books), which was shortlisted for the ReLit Award, and a young adult novel, The Hangman in the Mirror (Annick Press), which won the Goeffrey Bilson Award for Historical Fiction. She is the co-founder and artistic director of Stranger Theatre, and has co-created, directed and written eight plays with the company; her work with Stranger Theatre has been seen in Toronto, Montreal, Halifax, Chicago, Philadelphia, New York City and Istanbul. She has been a playwright-in-residence at Tarragon Theatre since 2009, and has written two plays for Tarragon, After Akhmatova and The Bakelite Masterpiece. She lives in Toronto with her partner and their three children.
JIM PETOSA (Director, Artistic Director) joined New Repertory Theatre as an award-winning theatre artist, educator, and leader in 2012. He has served as Director of the School of Theatre, College of Fine Arts, at Boston University since 2002, and Artistic Director of Maryland’s Olney Theatre Center for the Arts and its National Players educational touring company (1994-2012). While at Boston University, he established the Boston Center for American Performance (BCAP), the professional production extension of the Boston University School of Theatre, in 2008. Throughout the Northeast, Mr. Petosa has directed for numerous institutions, including The Gift Horse, Brecht on Brecht, Good, Freud’s Last Session, The Testament of Mary, Broken Glass, Assassins, On the Verge, The Elephant Man (IRNE Nomination), Amadeus, Three Viewings, The Last Five Years, and Opus at New Rep. In Boston, his work was nominated for two IRNE awards for A Question of Mercy (BCAP). He has served as one of three artistic leaders for the Potomac Theatre Project (PTP/NYC) since 1987. In Maryland, his work earned over 25 Helen Hayes Award nominations as well as the award for outstanding direction of a musical for Jacques Brel is Alive and Well… His production of Look! We Have Come Through! was nominated for the Charles MacArthur Award for outstanding new play, and he earned the Montgomery County Executive’s Excellence in the Arts and Humanities Award for Outstanding Artist/Scholar. A member of Actors’ Equity Association, Mr. Petosa has served on the executive board of the Stage Directors and Choreographers Society, and currently serves on the Board of Directors for StageSource. Originally from New Jersey, he was educated at The Catholic University of America and resides in Quincy.
Bio coming soon!
Bio coming soon!
DEWEY DELLAY (Sound Designer & Composer) has composed and designed The Gift Horse, Thurgood, The Testament of Mary, The Whipping Man, Rancho Mirage, and Long Day’s Journey into Night at New Rep. Other credits include Duet (Greenwich Street Theatre, Off Broadway); and The Countess (Criterion, London’s West End). Other regional credits include Who’s Afraid of Virginia Woolf (Lyric Stage Company); Photograph 51 (IRNE nomination Best Sound Design, Nora Theatre Company); When January Feels Like Summer (Underground Railway Theater). He has received an Elliot Norton award for Outstanding Design and an IRNE for Best Sound Design. Television credits include original music for Emmy nominated National Geographic’s China’s Mystery Mummies, Discovery Channel’s Miami Jail, and five seasons of the show Our America with Lisa Ling for the OWN Channel. He presently is contributing music to This is Life with Lisa Ling on CNN.
BRIAN M. ROBILLARD* (Stage Manager) has stage managed Ideation, The Gift Horse, Brecht on Brecht, Fiddler on the Roof, Baltimore, Scenes from an Adultery, Albatross, On the Verge, and Pattern of Life at New Rep. Recent area credits include A Little Night Music (Huntington Theatre Company); Romeo & Juliet and King Lear (Commonwealth Shakespeare Company); Don Giovanni and Siren Song (BU Opera Institute); Song Cycle (Peabody Essex Museum); and Hairspray and The Fantasticks (Hope Summer Repertory Theatre). Brian received his BFA in Stage Management from Boston University. A native of Massachusetts, Brian currently resides in Chelmsford.
* member of Actors’ Equity Association, the union of professional Actors and Stage Managers in the United States
◊ member of the Stage Directors and Choreographers Society
º member of United Scenic Artists, Local USA 829
Sunday 3/25, 2pm
Sunday 4/1, 7:30pm
Thursday 4/5, 2pm
Thursday 4/5, 7:30pm
Sunday 4/8, 2pm
The Bakelite Masterpiece is based on the true story of master art forger Han van Meegeren. As in playwright Kate Cayley’s version, the real Van Meegeren was accused of selling a Vermeer original to Nazi Field-Marshal Hermann Goering. His defense: he was innocent of collaboration with the Nazis because the artwork was not a Vermeer at all, but his own painting. All told, he forged nine Vermeers, as well as several other artists’ works, earning him more than half a billion dollars in today’s currency.
Can you guess which of the above is one of Van Meegeren’s “Bakelite masterpieces” and which is an original Vermeer? Click the button below to see the answer!