STRAIGHT WHITE MEN
by Young Jean Lee
Ed and his sons are celebrating the holidays in their traditional style. As Jake and Drew sit around eating Chinese takeout, playing games, and pranking each other, it quickly becomes apparent that something is wrong with their brother Matt. A searing satirical comedy that fearlessly examines identity and privilege and throws into question the value of being straight white men.
MICHAEL KAYE* returns to New Repertory Theatre after performing in Good, Broken Glass, The Elephant Man, Amadeus, Opus, House With No Walls, and Silence. He also appeared in Good this past summer Off-Broadway (PTP/NYC). Other area credits include Mothers and Sons and Clybourne Park (SpeakEasy Stage Company); Uncle Jack, Monster, The Glass Menagerie, and Good (Boston Center for American Performance); A Midsummer Night’s Dream (Actors’ Shakespeare Project); Book of Days (Lyric Stage Company); and various productions at Huntington Theatre Company and Boston Playwrights’ Theatre. Mr. Kaye serves as Assistant Professor of Acting at Boston University School of Theatre, where he earned both his BFA and MFA in Acting and Theatre Education respectively. Born in Chicago, he now lives in Sandwich, NH.
Elaine Vaan Hogue (Director) is a director, actor, and teacher. Previous productions at New Repertory Theatre include directing Baltimore, The Amish Project, Imagining Madoff (Elliot Norton nominee for Outstanding Production), The Kite Runner, and co-curating the inaugural Next Rep Black Box Festival in 2014. Regional directing credits include A Disappearing Number (URT @ Central Square Theater); Metamorphosis (Boston Center for American Performance); Walking the Volcano (Boston Center for American Performance/Boston Playwrights’ Theatre); Crave (Nora Theatre Company); Thin Air: Tales from a Revolution (Kansas City); Infinity’s House (Majestic Theatre); Fen (New Theatre); The Penelopiad, Execution of Justice, Lizzie Stranton, The Trestle at Pope Lick Creek, The Other Shore, Angels in America, Three Sisters, Pains of Youth, Polaroid Stories, Marisol, and many others (Boston University). As an actor she has performed in The Road to Mecca (Boston Center for American Performance); Creation: Mythic Weavings (Women on Top & Magdalena USA); When Jennie Goes Marching (Olney Theatre & Spontaneous Celebrations). She is a member of the Magdalena Project, an international network of women in contemporary theatre, and is a participant in an international cyber-performance group collaborating in All the Better To See You With (Odin Teatret), MagFest KISS (Amsterdam), trans-hack-feminist UpStage Jam (Eclectic Tech Carnival). Ms. Vaan Hogue serves as Program Head of Theatre Arts at Boston University. Originally from Los Angeles, she resides in Central Massachusetts.
Afsoon Pajoufar makes her Boston Center for American Performance and New Repertory Theatre debut. Boston area credits include Cabaret, ‘Tis Pity She’s a Whore, and Rosencrantz and Guildenstern are Dead (Boston University). Film credits include Ruined, Zoya, Remembering the Pentagons, and Nar. She received a BA in Painting from the Azad Art and Architecture University of Tehran and is currently pursuing an MFA in Scenic Design at Boston University. Originally from Tehran, Iran, she currently resides in Allston.
BECCA FREIFELD* returns to New Repertory Theatre after serving as Performance Stage Manager on Thurgood, Assistant Stage Manager on Fiddler on the Roof and Good, and Production Assistant on Freud’s Last Session, The Testament of Mary, The Snow Queen, A Number, Broken Glass, Scenes From an Adultery, The King of Second Avenue, and Closer Than Ever. Other area stage management credits include Barbecue (Lyric Stage Company); Shoes On, Shoes Off (Brandeis Department of Theater Arts); Romeo & Juliet and Evil Dead: the Musical (Arts After Hours); Hamlet (Wax Wings Productions); Bully Dance (Argos Productions); and Hamlet (Bay Colony Shakespeare Company). Upcoming: Assistant Stage Manager on New Repertory Theatre’s production of Man of La Mancha. Ms. Freifeld is a graduate of Brandeis University, and currently resides in Newtonville.
On the process of writing Straight White Men: