In a revival to commemorate its 25th anniversary, Lonely Planet tells the story of two friends during the height of the AIDS epidemic in America. While Carl is able to see beyond the confines of Jody’s map store, Jody refuses to acknowledge what’s happening outside. In Lonely Planet, playwright Steven Dietz crafts a humorous and touching play about friendship, loss, and hope.
Running time: approximately 2 hours (including one 10-minute intermission)
STATEMENTS OF SURVIVAL SERIES
Unveiled | Statements after an Arrest under the Immorality Act | Lonely Planet | Ripe Frenzy
MICHAEL KAYE* returns to New Repertory Theatre after performing in Good, Broken Glass, The Elephant Man, Amadeus, Opus, House With No Walls, and Silence. He also appeared in Good this past summer Off-Broadway (PTP/NYC). Other area credits include Mothers and Sons and Clybourne Park (SpeakEasy Stage Company); Uncle Jack, Monster, The Glass Menagerie, and Good (Boston Center for American Performance); A Midsummer Night’s Dream (Actors’ Shakespeare Project); Book of Days (Lyric Stage Company); and various productions at Huntington Theatre Company and Boston Playwrights’ Theatre. Mr. Kaye serves as Assistant Professor of Acting at Boston University School of Theatre, where he earned both his BFA and MFA in Acting and Theatre Education respectively. Born in Chicago, he now lives in Sandwich, NH.
TIM SPEARS* returns to New Repertory Theatre after performing in Statements After An Arrest Under the Immorality Act, Lonely Planet, Good, The Elephant Man, Amadeus, and Mister Roberts. He also appeared in Good this past summer Off-Broadway (PTP/NYC). Other New York City credits include A Question of Mercy and Assistant Director on Monster (PTP/NYC); and JUMP! and Realism (The Exchange). Other Boston credits include Clybourne Park (Speakeasy Stage Company); Uncle Jack, Monster, House (IRNE Nomination), Good, and A Question of Mercy (Boston Center for American Performance); and The Devil’s Teacup (Boston Playwrights’ Theatre). Mr. Spears received a BFA in Acting and an MFA in Directing from Boston University. Born in Texas, he now resides in Somerville.
Steven Dietz’s thirty-plus plays have been produced at regional theaters across the United States, as well as Off-Broadway. International productions of his work have been seen in England, Japan, Germany, France, Australia, Sweden, Russia, Slovenia, Argentina, Peru, Greece, Singapore, and South Africa. Recent plays include the widely-produced thriller, Yankee Tavern; the Steinberg Award finalist, Becky’s New Car; the Pulitzer-nominated Last of the Boys (produced by Steppenwolf Theatre, Chicago); and the Edgar Award-winning Sherlock Holmes: The Final Adventure (from William Gillette and Arthur Conan Doyle). Other plays include Fiction (produced Off-Broadway by the Roundabout Theatre Company), Shooting Star, Inventing van Gogh, The Nina Variations, Private Eyes, Halcyon Days, God’s Country, and Lonely Planet (PEN-USA Award for Drama). Mr. Dietz’s work as a director has been seen at many of America’s leading regional theaters. He divides his time between Seattle and Austin, where he is a professor at the University of Texas.
JIM PETOSA (Director, Artistic Director) joined New Repertory Theatre as an award-winning theatre artist, educator, and leader in 2012. He has served as Director of the School of Theatre, College of Fine Arts, at Boston University since 2002, and Artistic Director of Maryland’s Olney Theatre Center for the Arts and its National Players educational touring company (1994-2012). While at Boston University, he established the Boston Center for American Performance (BCAP), the professional production extension of the Boston University School of Theatre, in 2008. Throughout the Northeast, Mr. Petosa has directed for numerous institutions, including The Gift Horse, Brecht on Brecht, Good, Freud’s Last Session, The Testament of Mary, Broken Glass, Assassins, On the Verge, The Elephant Man (IRNE Nomination), Amadeus, Three Viewings, The Last Five Years, and Opus at New Rep. In Boston, his work was nominated for two IRNE awards for A Question of Mercy (BCAP). He has served as one of three artistic leaders for the Potomac Theatre Project (PTP/NYC) since 1987. In Maryland, his work earned over 25 Helen Hayes Award nominations as well as the award for outstanding direction of a musical for Jacques Brel is Alive and Well… His production of Look! We Have Come Through! was nominated for the Charles MacArthur Award for outstanding new play, and he earned the Montgomery County Executive’s Excellence in the Arts and Humanities Award for Outstanding Artist/Scholar. A member of Actors’ Equity Association, Mr. Petosa has served on the executive board of the Stage Directors and Choreographers Society, and currently serves on the Board of Directors for StageSource. Originally from New Jersey, he was educated at The Catholic University of America and resides in Quincy.
JEFFREY PETERSEN returns to New Repertory Theatre after working as Technical Director for Brecht on Brecht and Thurgood. Recent New England design credits include Elemeno Pea, Lost Tempo, Equal Writes, Restricted, and The Honey Trap (Boston Playwrights’ Theatre); and The Werther Project, Uncommon Women and Others, Cosi fan tutte, Rosmersholm, and The Whitmores (Boston University). Assistant design credits include Melancholy Play (Trinity Rep). Select Technical credits include The Cherry Orchard, Ivanov, and Galileo (Classic Stage Company); Collaboration: Warhol & Basquiat (HERE); Rated P (Westside Theatre); and Ripcord, Come Back Little Sheba, The Second Girl, Vanya and Sonia and Masha and Spike (Huntington Theatre Company). Select regional design credits include Dancing at Lughnasa, Pavilion, Sylvia, Last Five Years, Glass Menagerie, and String (Yellow Tree Theatre); and Rocky Horror Live (Cardinal Theatricals). Jeffrey received his BFA in Performance and Scenic Design from the University of Minnesota Duluth and is anticipating his MFA in Scenic Design from Boston University in the spring of 2018. jeffreypetersendesign.com
MATTHEW GUMINSKI returns to New Repertory Theatre after designing Via Dolorosa and The Testament of Mary. Recent design credits include Ghost: The Musical (WPPAC); Million Dollar Quartet (Seven Angels Theatre); and Rocky Horror and High Society (Winnipesaukee Playhouse). Other regional theatre credits include work at Timber Lake Playhouse, Cape Fear Regional Theatre, Foothills Theatre Company, The Barnstormers Theatre, North Shore Music Theatre, and the North American tour of Sleeping Beauty and The Great Russian Nutcracker (Moscow Ballet). His work has also been seen across most of the world as the Lighting and Video Designer for the pop rock bands JoJo, Jon Bellion, Neon Trees, MisterWives, and Young the Giant. Mr. Guminski is an eight-time recipient of the New Hampshire Theatre Award for Best Professional Lighting Design for Proof (2006), The Woman In Black (2007), Two Rooms (2008), The Glass Menagerie (2009), Around the World in 80 Days (2010), Shipwrecked! (2012), The Fantasticks (2014), and The Adventures of Tom Sawyer (2015). He received his BFA in Lighting Design from Boston University. mglightingdesign.com
ZACHARY RICE has performed at New Repertory Theatre in The Gift Horse. He was most recently seen in Hamlet (Apollinaire Theatre Company). Other credits include directing Dusa, Fish, Stas & Vi (Boston University); Roundabout (Boston Theater Marathon); InSync (Roxbury Repertory Theater); assistant directing Precious Little (Nora Theatre Company); Matchless & The Happy Prince (Underground Railway Theater); Significant Other (SpeakEasy Stage); The Housekeeper (Fresh Ink Theatre); and dramaturging When January Feels Like Summer (Underground Railway Theater). Zachary received his BFA in Theater Arts from Boston University. He is originally from Washington state and currently resides in Cambridge.
BRIAN M. ROBILLARD* returns to New Repertory Theatre after previously working on Statements After an Arrest Under the Immorality Act, Lonely Planet, Ideation, The Gift Horse, Brecht on Brecht, Fiddler on the Roof, Baltimore, Scenes from an Adultery, Albatross, On the Verge, and Pattern of Life. Recent area credits include A Christmas Carol (Central Square Theater); A Little Night Music (Huntington Theatre Company); Romeo & Juliet and King Lear (Commonwealth Shakespeare Company); Don Giovanni and Siren Song (BU Opera Institute); Song Cycle (Peabody Essex Museum); and Hairspray and The Fantasticks (Hope Summer Repertory Theatre). Brian received his BFA in Stage Management from Boston University. A native of Massachusetts, Brian currently resides in Chelmsford. Upcoming projects include Calendar Girls (Greater Boston Stage Company).
Assistant Stage Manager
* member of Actors’ Equity Association, the union of professional Actors and Stage Managers in the United States
◊ member of the Stage Directors and Choreographers Society
º member of United Scenic Artists, Local USA 829
“Michael Kaye and Tim Spears have no difficulty drawing the audience in and engaging us in the story… As a tandem, the actors inhabit their characters and give us a window into a very touching relationship.”
Rev. Dr. Michael Paul Melendez is Professor of Social Work at Salem State University. He is the former associate bureau director of the Bureau of Addictions for the Boston Public Boston Public Health Commission and former Professor of Social Work at Simmons College. Dr. Melendez has been a long standing AIDS Activist since 1985 having served on the boards of AIDS Action Committee, the Latino Health Institute and the Women of Color AIDS Council, United Ways AIDS task force for location. He is the receipt of the 25 Years/25 People- Honoree Commemorating the 25th anniversary of the “From All Walks” AIDS Walk 2010. Greatest Contribution to Social Work Education MA Chapter 2006, The AIDS Action Spirit Award, 2000 and the Elizabeth Ramos AIDS Activist Award. Finally he is an ordained deacon for the Episcopal Dioceses of Massachusetts.
Virginia Anderson is an Assistant Professor of Theater at Connecticut College where she teaches a variety of courses concerning theatre and culture, directs for the main stage, and serves on the steering committee for the Holleran Center for Community Action and Public Policy. She earned her Ph.D. in Drama from Tufts University, an MA in Performance and Culture from Goldsmiths College, University of London, an MA in Drama from Stanford University, and a BA in English and Theatre from Carleton College. Her dedication to advocacy and the arts has been recognized by the National Center for HIV, STD, & TB Prevention, Centers for Disease Control & Prevention (CDC) as well as AIDS Action Committee of Massachusetts. Her essay “Performing Interventions: The Politics and Theatre of China’s AIDS Crisis in the Early Twenty-First Century” appears in the newly released Viral Dramaturgies: HIV and AIDS in Performance in the Twenty-First Century (Palgrave, February 2018). Her current book project concerns the on- and off-stage history of Broadway theatre and the AIDS epidemic.
John Gatto first began working at JRI as a mental health clinician at JRI Health in 1994, providing home-based services to adults with HIV/AIDS in our housing and home care programs. Over the following five years he assumed positions of increasing responsibility, overseeing the development of substance abuse services at the Sidney Borum Health Center and then serving as the Clinical Director of the Assisted Living Program. John left JRI in 2000 and held leadership positions in the HIV/AIDS community, leading the merger of several AIDS service organizations in the Boston area. He returned to JRI in 2012 as the Executive Director of JRI Health and now as the Vice President of Community Health. He holds an MSW from Boston University.
Sunday 2/18 at 7:30pm
Friday 2/23 at 8pm
Thursday 3/1 at 2pm