by Hansol Jung
Set in Northern Uganda at the turn of the millennium, this poetic drama explores love and dedication amidst a background of an escalating civil war. In a secret wedding ceremony a local teenage girl and the daughter of American missionaries solidify their union despite growing violence and assured intolerance. Cardboard Piano is a powerful new work that deftly examines the roots of hate and the capacity for forgiveness.
JON SAVAGE has designed The Gift Horse, Broken Glass, The King of Second Avenue, Closer Than Ever, Imagining Madoff, The Elephant Man, and Holiday Memories at New Repertory Theatre. Other area credits include Out of Sterno (Gloucester Stage); A Disappearing Number (Underground Railway Theatre); M and Laughing Wild (Huntington Theatre Company); You for Me for You (Company One); The Farm and Deported/a dream play (Boston Playwrights’ Theatre); and All’s Well That Ends Well (Elliot Norton Award, Best Production) and The Comedy of Errors (Commonwealth Shakespeare Company). Regional credits include A Grand Night for Singing (Bucks County Playhouse); State Fair (Walnut Street Theatre); Is He Dead? (Olney Theatre); and Ain’t Misbehavin’ (Bay Street Theatre). Jon was the Associate Set Designer for the Broadway production of Hot Feet and has worked in television and film for productions on the History Channel and the HBO miniseries, John Adams. He also served as a curator for the US National Student Exhibit at the Prague Quadrennial in 2007. He is currently on faculty at Boston University and is a member of United Scenic Artists. Originally from Wyoming, he resides in Weymouth.
DEWEY DELLAY returns to New Repertory Theatre after composing and designing for Ideation, The Gift Horse, Thurgood, The Testament of Mary, The Whipping Man, Rancho Mirage, and Long Day’s Journey into Night. Other credits include Duet (Greenwich Street Theatre, Off Broadway); and The Countess (Criterion, London’s West End). Other regional credits include Who’s Afraid of Virginia Woolf (Lyric Stage Company); Photograph 51 (IRNE nomination Best Sound Design, Nora Theatre Company); and When January Feels Like Summer (Underground Railway Theater). He has received an Elliot Norton award for Outstanding Design and an IRNE for Best Sound Design. Television credits include original music for Emmy nominated National Geographic’s China’s Mystery Mummies, Discovery Channel’s Miami Jail, and five seasons of the show Our America with Lisa Ling for the OWN Channel. He presently is contributing music to This is Life with Lisa Ling on CNN.
BECCA FREIFELD* returns to New Repertory Theatre after serving as Performance Stage Manager on Thurgood, Assistant Stage Manager on Fiddler on the Roof and Good, and Production Assistant on Freud’s Last Session, The Testament of Mary, The Snow Queen, A Number, Broken Glass, Scenes From an Adultery, The King of Second Avenue, and Closer Than Ever. Other area stage management credits include Barbecue (Lyric Stage Company); Shoes On, Shoes Off (Brandeis Department of Theater Arts); Romeo & Juliet and Evil Dead: the Musical (Arts After Hours); Hamlet (Wax Wings Productions); Bully Dance (Argos Productions); and Hamlet (Bay Colony Shakespeare Company). Upcoming: Assistant Stage Manager on New Repertory Theatre’s production of Man of La Mancha. Ms. Freifeld is a graduate of Brandeis University, and currently resides in Newtonville.