Staged Readings

Each season, New Rep engages with four Next Voices playwriting fellows. After nine months of working and reworking the plays, three (Danny Bryck, Lila Rose Kaplan, and Lenelle Moïse) will enjoy staged public readings with professional actors as part of our Next Rep Black Box Festival in March and April. Curated by Bridget Kathleen O’Leary, these readings serve as the first audience experiences, helping the playwrights to further develop their work. Each staged reading will be followed by a talkback with the playwright.

K.I.S.S.I.N.G. by Lenelle Moïse — Monday, March 16 at 7:30pm

Commissioned by the Clark University Theatre Department, K.I.S.S.I.N.G. follows several teenagers as they try to make sense of their economic inheritances and emotional baggage. When “around-the-way-girl” Lala meets brainy, affluent Dani, they muddle through their class differences to have an inseparable summer of firsts. Fueled by a mutual love of visual art and old school music, they flirt and debate in museums, forests and on the hood of Dani’s fancy car. It seems romantic. So why won’t he kiss her already?

Click here to read an interview with Lenelle Moïse!

Lenelle MoïseLenelle Moïse is the author of Haiti Glass (City Lights Publishers) and was a 2012-2014 Huntington Theatre Company Playwriting Fellow. She wrote, composed, and co-starred in the critically acclaimed drama Expatriate which launched Off Broadway at the Culture Project. Her two-act comedy Merit won the 2012 Ruby Prize. Moïse’s other plays include the The Many Faces of NiaMatermorphosis and Cornered in the Dark. She is an internationally touring solo performer and was the fifth Poet Laureate of Northampton, MA. She has received awards, residencies and/or commissions from the Gaea Foundation, Southern Rep, Kitchen Theatre Company, Hedgebrook, Astraea, Clark University, Northwestern University and UT Austin.


THE RIVER AND THE SEA by Danny Bryck — Monday, March 30 at 7:30pm

In 2012 – 2013, playwright Danny Bryck conducted hundreds of interviews in Israel/Palestine, capturing the staggering diversity of voices of the people living between the river and the sea: from a young soldier in Tel Aviv to a young mother from Gaza, a Holocaust survivor to a Sudanese refugee, an American settler to a German convert to Judaism turned anti-occupation activist. Using their real words, THE RIVER AND THE SEA challenges our notions of birthright and belonging, history and nation, and the ways we define ourselves and each other. When everyone tells a different story, how do we tell the truth?

Click here to read an interview with Danny Bryck!

Web_DannyBryckDanny Bryck is a theatre artist / activist based in New York and Boston. He is the creator of No Room for Wishing, a one-man documentary play based on interviews with people involved in Occupy Boston. The show premiered in Boston in 2012 with Company One, Central Square Theater and Boston Playwrights’ Theatre, and has since toured New York and Massachusetts, including the Outside the Box Festival.  His next documentary project was The River and the Sea, a play based on interviews he conducted in Israel/Palestine in 2012-2013 and developed through a residency with New Repertory Theatre in Boston over the past two years. Other recent work includes cement, love, nothing else and Lucky, two short pieces written for “Boston Beyond Today,” a series of events responding to police brutality and systemic racism, and Quixote in Kabul, an exploration of Cervantes’ Don Quixote as the journey of an American soldier in Afghanistan, told through spoken word, music and dance, commissioned by Boston University. He also co-authored Love in the Time of Time Travel, a sketch comedy show, with A. Vincent Ularich. As an actor he has worked in Boston with Actors’ Shakespeare Project, New Repertory Theatre, Underground Railway Theater, the Publick Theatre, the Huntington Theatre Company, American Repertory Theater, and Stoneham Theatre, among others, in New York with The Civilians, New Perspectives Theatre Company, and on the daytime drama As the World Turns, and in a handful of independent films, including the Rasmussen Brothers’ Dark Feed and The Inhabitants. He was an artistic associate with Whistler in the Dark Theatre in Boston for three years. He also works as a dialect and accent modification coach and theatre educator. Mr. Bryck has been nominated for four IRNE awards, received the David Wheeler Award for emerging talent in the Boston theatre scene, and is a member of the Jewish Voice for Peace Artists’ Council. He holds a BFA from Boston University’s School of Theatre, studied at the London Academy of Music & Dramatic Art, and is a member of Actors’ Equity Association.


Lila Rose Kaplan writes heartfelt comedies, bittersweet dramas, and musicals for young people.  Her play Wildflower made its Off-Broadway debut in 2009 at Second Stage Uptown and was published by Dramatists Play Service. Her other works include 1 2 3 – a play about abandonment and ballroom dancing, Home of the Brave, We All Fall Down, 100 Planes, Bureau of Missing Persons, and Tink.  Her plays have been produced by A.R.T/A.R.T. Institute, Second Stage Uptown, Old Vic, Perishable Theatre, Chalk Rep, Launch Pad, La Jolla Playhouse, and Harvard Business School (really!). Her plays have been developed by The Huntington Theatre, Arena Stage, The Kennedy Center, Ensemble Studio Theatre, Center Theatre Group, Theatreworks, PlayPenn, and The Lark among others.  Awards include The National Science Award in Playwriting and The International Women’s Playwriting Award, Ms. Kaplan was selected as an Old Vic/New Voices T.S. Eliot Exchange Playwright in 2010.  She has been in residence at Playwrights Realm, Cornerstone Theatre Company, Ensemble Studio Theatre, and the Kavli Institute for Theoretical Physics.  She is a graduate of Brown University and she received her MFA in Playwriting from UC San Diego. Formerly a Huntington Theatre Playwriting Fellow and Playwrights Realm Writing Fellow, Ms. Kaplan’s The Light Princess can be seen once again this December at the A.R.T. and in winter 2015 at the New Vic in New York City.

About Next Voices

New Repertory Theatre is committed to the development and production of new work. Through our Next Voices Fellowship program, we are dedicated to providing a creative laboratory for four playwrights each season who will work as a group on tackling the challenges of their individual plays. We believe that bringing life from the page to the stage does not happen in isolation and neither should the writing process.

New Repertory Theatre seeks four playwrights to join us to work on one of their plays for a season.  The program will culminate in a workshop performance as part of New Rep’s Next Rep Festival in the Black Box Theater at the Arsenal Center for the Arts each spring. We seek playwrights with a strong vision, who have a specific play that connects to New Rep’s mission. These plays will be considered for a potential production in a Black Box theater space.  Selected writers should clearly articulate where they want their play to go and should be collaborative, open to discussion about their work, and able to engage with the group on other projects as well. Plays may be in the form of outlines, treatments or early drafts at the time of submission, though early drafts are preferred.

Each writer selected as a Next Voices Fellow will enjoy access to New Rep’s staff, area actors, designers, and directors to help realize their work. The group will meet regularly at New Rep’s offices to talk about the plays, and to hear them read aloud. Every meeting will focus on two playwrights’ work and will rotate each session.

New Repertory Theatre has an open submission policy for New England area playwrights looking to participate in our Next Voices Fellowship. Participants must be able to meet regularly at New Rep’s office in Watertown, MA.

Interested writers may send a cover letter, a synopsis of their proposed play, and a 10-page sample of the play. Submissions may be sent to:

New Repertory Theatre
Attn: Next Voices
200 Dexter Avenue
Watertown, MA 02472

All submissions will be read and responded to within the year.

Next Voices Program and Advisory Committee include:
Kirsten Greenidge, Melinda Lopez, Bridget Kathleen O’Leary, Jim Petosa and Kate Snodgrass

Past Next Voices Playwriting Fellows include:
Deirdre Girard, Walt McGough, Evan Sanderson, Peter M. Floyd, Patrick Gabridge, Anna Renee Hansen, Colleen Hughes, Emily Kaye Lazzaro, K. Alexa Mavromatis and James McLindon.